1 00:00:02,840 --> 00:00:07,840 THE LORD IS MY SHEPHERD, THEREFORE CAN I LACK NOTHING. 2 00:00:07,880 --> 00:00:09,760 HE SHALL FEED ME IN A GREEN PASTURE 3 00:00:09,800 --> 00:00:12,640 AND LEAD ME FORTH BESIDE THE WATERS OF COMFORT. 4 00:00:12,680 --> 00:00:15,520 HE SHALL CONVERT MY SOUL 5 00:00:15,560 --> 00:00:18,720 AND BRING ME FORTH IN THE PATHS OF RIGHTEOUSNESS 6 00:00:18,760 --> 00:00:20,720 FOR HIS NAME'S SAKE. 7 00:00:20,760 --> 00:00:21,560 AMEN. 8 00:00:21,600 --> 00:00:23,120 [EVERYONE REPEATS] AMEN. 9 00:00:23,160 --> 00:00:25,840 FOR AS MUCH AS IT HATH PLEASED ALMIGHTY GOD 10 00:00:25,880 --> 00:00:26,920 IN HIS GREAT MERCY 11 00:00:26,960 --> 00:00:28,240 TO TAKE UNTO HIMSELF THE-- 12 00:00:29,640 --> 00:00:31,000 [PRIEST'S VOICE ECHOES DREAMILY] 13 00:00:31,040 --> 00:00:32,640 WE THEREFORE COMMIT HER BODY TO THE GROUND, 14 00:00:32,680 --> 00:00:37,440 EARTH TO EARTH, ASHES TO ASHES, DUST TO DUST, 15 00:00:37,480 --> 00:00:42,600 IN SURE AND CERTAIN HOPE OF THE RESURRECTION... 16 00:00:48,880 --> 00:00:50,520 MADAME PRIDE. 17 00:00:50,560 --> 00:00:53,600 WE ARE SORRY FOR YOUR LOSS. 18 00:00:53,640 --> 00:00:54,880 THANK YOU ALL FOR COMING. 19 00:00:54,920 --> 00:00:55,880 [TOMMY]: SHE WANTED ME TO TELL YOU 20 00:00:55,920 --> 00:00:56,960 SHE DID GOOD. 21 00:00:57,000 --> 00:00:57,960 TOMMY, NOT NOW-- 22 00:00:58,000 --> 00:00:58,920 NO. 23 00:00:58,960 --> 00:01:00,160 NO, IF HE HAS SOMETHING TO SAY, 24 00:01:00,200 --> 00:01:02,560 I'D LIKE TO HEAR IT. 25 00:01:02,600 --> 00:01:03,880 SHE WAS A DECORATED DETECTIVE. 26 00:01:03,920 --> 00:01:06,400 IN MOST ANY FAMILY, SHE'D BE A HERO. 27 00:01:06,440 --> 00:01:08,480 BUT SHE DIED 28 00:01:08,520 --> 00:01:12,520 WANTING HER PARENTS TO BE TOLD SHE DID GOOD, 29 00:01:12,560 --> 00:01:15,880 BECAUSE IN HERS, IT WASN'T ENOUGH. 30 00:01:17,520 --> 00:01:19,120 [SNIFFLES] 31 00:01:21,000 --> 00:01:24,200 [LOUIS, CLEARING THROAT]: TOMMY WAS WITH HER AT THE END. 32 00:01:24,240 --> 00:01:25,240 THAT MUST HAVE BEEN 33 00:01:25,280 --> 00:01:27,720 A VERY DIFFICULT MESSAGE TO DELIVER. 34 00:01:27,760 --> 00:01:30,360 THANK HIM FOR ME. 35 00:01:30,400 --> 00:01:31,960 PLEASE EXCUSE ME. 36 00:01:50,120 --> 00:01:51,880 [MUSIC POUNDING] 37 00:01:51,920 --> 00:01:54,920 ♪ LADIES AND GENTLEMEN THREESCORE AND TEN ♪ 38 00:01:54,960 --> 00:01:58,760 ♪ THAT'S THE AVERAGE LIFESPAN FOR WOMEN AND MEN ♪ 39 00:01:58,800 --> 00:02:02,840 ♪ NOW, YOU MAY LIVE TO 100 OR BE DEAD BY 25 ♪ 40 00:02:02,880 --> 00:02:04,880 ♪ BUT MAKE SURE YOU MAKE THE MOST OF IT ♪ 41 00:02:04,920 --> 00:02:06,960 ♪ WHILE YOU'RE STILL ALIVE ♪ 42 00:02:07,000 --> 00:02:10,040 [♪♪♪] 43 00:02:15,320 --> 00:02:16,960 ♪ LIFE'S FOR THE LIVING ♪ 44 00:02:17,000 --> 00:02:19,000 ♪ LOVE'S FOR THE GIVING ♪ 45 00:02:19,040 --> 00:02:21,000 ♪ FORTUNE FOR THE MAKING ♪ 46 00:02:21,040 --> 00:02:22,880 ♪ CHANCE IS FOR THE TAKING ♪ 47 00:02:22,920 --> 00:02:24,880 ♪ MONEY'S THERE FOR SPENDING ♪ 48 00:02:24,920 --> 00:02:26,920 ♪ THE RULES ARE THERE FOR BENDING ♪ 49 00:02:26,960 --> 00:02:29,840 ♪ THE GROUND'S FOR THE BREAKING ♪ 50 00:02:29,880 --> 00:02:31,000 GOT HIM. 51 00:02:33,320 --> 00:02:34,320 WE HAVE HIM. 52 00:02:35,960 --> 00:02:36,960 HE'S WEARING A WEDDING RING. 53 00:02:37,000 --> 00:02:38,440 HE'S A WIDOWER. 54 00:02:38,480 --> 00:02:40,880 HIS DAUGHTER'S THE MODEL IN THE RED. 55 00:02:45,360 --> 00:02:47,400 AW... 56 00:02:47,440 --> 00:02:48,400 SWEET. 57 00:02:48,440 --> 00:02:50,440 LIKE A ROTTEN BANANA. 58 00:02:50,480 --> 00:02:51,320 YOU'RE SUCH A CYNIC. 59 00:02:51,360 --> 00:02:52,120 A REALIST. 60 00:02:52,160 --> 00:02:53,520 HISTORY OF VIOLENCE? 61 00:02:53,560 --> 00:02:55,040 NOT THAT I KNOW OF. 62 00:02:55,080 --> 00:02:56,400 DID YOU CHECK? 63 00:02:56,440 --> 00:02:57,840 PUBLICLY, HE'S A PILLAR OF SOCIETY. 64 00:02:57,880 --> 00:03:00,040 AYE, BUT BEHIND CLOSED DOORS, HE MIGHT PUT ME IN A PIT 65 00:03:00,080 --> 00:03:02,120 AND SEND LOTION DOWN IN A BASKET. 66 00:03:03,480 --> 00:03:04,600 YOU'RE NOT THE ONE 67 00:03:04,640 --> 00:03:05,640 WHO HAS TO BE ALONE WITH THESE CREEPS. 68 00:03:05,680 --> 00:03:07,920 WHAT CAN I TELL YOU, NICOLE? 69 00:03:07,960 --> 00:03:09,280 THERE WILL BE RISK. 70 00:03:09,320 --> 00:03:12,160 JESUS, DO WE HAVE TO DO THIS EVERY BLOODY TIME? 71 00:03:12,200 --> 00:03:14,960 EVERY BLOODY TIME. 72 00:03:15,000 --> 00:03:16,160 WHERE'S THE PAINTING? 73 00:03:16,200 --> 00:03:18,240 IN THE LIVING ROOM. 74 00:03:18,280 --> 00:03:19,440 ANY MORE QUESTIONS? 75 00:03:19,480 --> 00:03:20,320 YEAH. 76 00:03:20,360 --> 00:03:22,000 WHEN DO I GET PAID? 77 00:03:37,240 --> 00:03:39,240 CONTACT. 78 00:03:39,280 --> 00:03:40,640 THINK SHE'LL GET IN? 79 00:03:40,680 --> 00:03:43,160 SHE ALWAYS DOES. 80 00:03:43,200 --> 00:03:45,080 LET'S GO AND GET READY. 81 00:03:56,880 --> 00:03:58,520 OKAY, SO NOW I'M IMPRESSED. 82 00:03:58,560 --> 00:03:59,840 [CHUCKLES] YOU LIKE? 83 00:03:59,880 --> 00:04:01,640 I LOVE. 84 00:04:02,600 --> 00:04:04,000 IS THIS HER? 85 00:04:04,040 --> 00:04:05,360 YOUR WIFE? 86 00:04:05,400 --> 00:04:06,360 A YEAR BEFORE SHE DIED. 87 00:04:06,400 --> 00:04:08,160 YOU LOVED HER. 88 00:04:08,200 --> 00:04:09,840 I CAN HEAR IT IN YOUR VOICE. 89 00:04:09,880 --> 00:04:10,760 I STILL DO. 90 00:04:10,800 --> 00:04:13,320 AW... 91 00:04:13,360 --> 00:04:14,840 AFTER SHE DIED, 92 00:04:14,880 --> 00:04:16,520 I MOVED INTO THE CITY. 93 00:04:16,560 --> 00:04:20,000 PUT MYSELF BACK OUT THERE, YOU KNOW? 94 00:04:20,040 --> 00:04:22,400 THERE WERE TOO MANY MEMORIES IN THAT HOUSE. 95 00:04:22,440 --> 00:04:23,520 I DIDN'T WANT TO BECOME A SAD, MAD OLD MAN. 96 00:04:23,560 --> 00:04:24,920 [GIGGLES] 97 00:04:24,960 --> 00:04:26,200 YOU'RE NOT THAT OLD. 98 00:04:26,240 --> 00:04:27,840 [CHUCKLES] 99 00:04:27,880 --> 00:04:29,240 NOW, WHAT CAN I FIX YOU? 100 00:04:29,280 --> 00:04:32,840 I WAS HOPING TO TRY SOME OF THAT 5,000 EURO BORDEAUX 101 00:04:32,880 --> 00:04:34,000 YOU SAID YOU HAD IN YOUR VAULT. 102 00:04:35,480 --> 00:04:36,600 I'LL BE RIGHT BACK. 103 00:04:47,760 --> 00:04:50,000 VAN GOGH. 104 00:04:50,040 --> 00:04:52,920 I CAN SEE. 105 00:04:52,960 --> 00:04:55,160 I'M NOT THE ONLY ONE AROUND HERE 106 00:04:55,200 --> 00:04:57,000 WITH AN EYE FOR FINE THINGS. 107 00:04:57,040 --> 00:04:58,080 [CLINKING GLASSES] 108 00:05:02,160 --> 00:05:03,840 I'M NOT SURE IT'S 5,000 EUROS NICE, 109 00:05:03,880 --> 00:05:05,840 BUT IT'S DEFINITELY NICE. 110 00:05:05,880 --> 00:05:06,840 LADIES ROOM? 111 00:05:06,880 --> 00:05:07,920 IT'S RIGHT THERE. 112 00:05:07,960 --> 00:05:08,760 MUSIC? 113 00:05:08,800 --> 00:05:11,320 MUSIC'S NICE. 114 00:05:36,600 --> 00:05:41,040 [LIGHT JAZZ PLAYS] 115 00:05:44,240 --> 00:05:45,520 I LIKE IT, THE MUSIC. 116 00:05:45,560 --> 00:05:47,440 NICE CHOICE. 117 00:05:47,480 --> 00:05:48,520 THANK YOU. 118 00:05:48,560 --> 00:05:51,240 OH, I THINK THIS ONE MUST BE YOURS. 119 00:05:51,280 --> 00:05:52,240 I KNOW, I THOUGHT WE'D SWAP. 120 00:05:52,280 --> 00:05:53,960 WHY? 121 00:05:54,000 --> 00:05:55,600 WELL, WOULD YOU WANT YOUR DAUGHTER 122 00:05:55,640 --> 00:05:58,160 COMING UP TO THE FLAT OF A MAN SHE JUST MET, 123 00:05:58,200 --> 00:05:59,760 DRINKING FROM A GLASS HE GAVE HER? 124 00:06:07,120 --> 00:06:08,360 YOU PUT SOMETHING IN MY WINE. 125 00:06:08,400 --> 00:06:09,240 WHAT? 126 00:06:09,280 --> 00:06:10,040 YOU DID. 127 00:06:10,080 --> 00:06:11,280 DON'T BE RIDICULOUS. 128 00:06:11,320 --> 00:06:12,560 THERE IS DEFINITELY SOMETHING IN THIS WINE. 129 00:06:12,600 --> 00:06:13,840 IT'S PROBABLY JUST THE POWER OF SUGGESTION. 130 00:06:13,880 --> 00:06:14,880 I SAID I WAS-- 131 00:06:14,920 --> 00:06:16,640 I OWN THE WINERY, YOU LITTLE BITCH! 132 00:06:16,680 --> 00:06:17,840 I KNOW THIS WINE LIKE THE BACK OF MY HAND. 133 00:06:17,880 --> 00:06:19,040 NOW, WHAT HAVE YOU PUT IN IT? 134 00:06:19,080 --> 00:06:20,040 TAKE A CHILL PILL, GRANDDAD. 135 00:06:20,080 --> 00:06:21,400 WAIT-- 136 00:06:21,440 --> 00:06:23,280 OLD FASHIONED, I KNOW, BUT IT BURNS LIKE HELL. 137 00:06:23,320 --> 00:06:24,720 AND, BELIEVE ME, YOU DON'T WANT TO ADD "BLINDED" 138 00:06:24,760 --> 00:06:27,560 TO YOUR LIST OF WORRIES RIGHT NOW, OKAY? 139 00:06:27,600 --> 00:06:28,880 WHAT? WAIT... 140 00:06:28,920 --> 00:06:30,000 IF I WERE YOU, 141 00:06:30,040 --> 00:06:31,520 I'D BE MORE ABOUT CALLING AN AMBULANCE. 142 00:06:31,560 --> 00:06:32,960 BYE. 143 00:06:34,040 --> 00:06:36,000 [GROANING IN PAIN] 144 00:06:36,040 --> 00:06:37,640 [GASPING FOR AIR] 145 00:06:39,440 --> 00:06:41,360 [DIALS] 146 00:06:42,360 --> 00:06:44,560 [CALL RINGS] 147 00:06:44,600 --> 00:06:47,080 [STARTING ENGINE] 148 00:06:47,120 --> 00:06:48,920 [GASPING IN PAIN] 149 00:06:55,880 --> 00:06:58,320 [♪♪♪] 150 00:07:28,040 --> 00:07:30,960 [SIRENS APPROACH] 151 00:08:00,040 --> 00:08:02,240 [♪♪♪] 152 00:08:42,080 --> 00:08:43,320 [LOUIS]: AS YOU CAN SEE, 153 00:08:43,360 --> 00:08:46,440 THE ICC DECIDED TO MAKE THIS OUR PERMANENT HOME, 154 00:08:46,480 --> 00:08:50,680 SO IF YOU CHOOSE TO STAY, OUR BEAT WILL BE THE ENTIRE E.U. 155 00:08:50,720 --> 00:08:52,120 IF YOU ACCEPT, 156 00:08:52,160 --> 00:08:53,080 YOU WILL ALL BE 157 00:08:53,120 --> 00:08:54,480 OFFICIALLY DETAILED HERE 158 00:08:54,520 --> 00:08:55,920 FROM YOUR HOME UNITS. 159 00:08:55,960 --> 00:08:59,280 SO, THAT'S IT, THEN? 160 00:08:59,320 --> 00:09:01,160 STICK A FEW TVS ON THE WALL AND A NEW DESK, 161 00:09:01,200 --> 00:09:03,040 AND WE JUST FORGET ABOUT HER? 162 00:09:03,080 --> 00:09:05,640 FORGET? 163 00:09:05,680 --> 00:09:08,840 TONIGHT A WOMAN WON'T BE BUTCHERED IN A PARK 164 00:09:08,880 --> 00:09:09,880 BECAUSE SIENNA STOPPED IT. 165 00:09:09,920 --> 00:09:11,840 BECAUSE YOU ALL STOPPED IT. 166 00:09:11,880 --> 00:09:13,840 THIS TEAM, FOR ME, 167 00:09:13,880 --> 00:09:16,560 WILL BE THE WAY TO REMEMBER HER. 168 00:09:16,600 --> 00:09:19,840 SO, ARE YOU IN OR NOT? 169 00:09:26,280 --> 00:09:27,160 I'M IN. 170 00:09:29,520 --> 00:09:32,000 YEAH, ALL RIGHT. 171 00:09:32,040 --> 00:09:33,360 ME TOO. 172 00:09:42,680 --> 00:09:43,720 ABSOLUTELY. 173 00:09:45,960 --> 00:09:47,200 TOMMY? 174 00:09:51,480 --> 00:09:52,520 ALL RIGHT, THEN. 175 00:10:01,080 --> 00:10:02,680 [PILLS RATTLING] 176 00:10:08,880 --> 00:10:11,840 ARE THOSE PILLS WORKING? 177 00:10:11,880 --> 00:10:13,840 NOT AS FAST AS THE MORPHINE, 178 00:10:13,880 --> 00:10:15,120 OR NEARLY AS FUN, BUT... 179 00:10:16,160 --> 00:10:17,480 THEY'RE OKAY. 180 00:10:18,880 --> 00:10:20,040 HOW ARE YOU FEELING? 181 00:10:21,400 --> 00:10:23,840 I'M ACTUALLY HOPING ANOTHER CASE 182 00:10:23,880 --> 00:10:25,040 WILL GET MY MIND OFF THE PAIN. 183 00:10:25,080 --> 00:10:27,160 DON'T PUSH YOURSELF. 184 00:10:27,200 --> 00:10:28,920 THERE'S ALWAYS ANOTHER CASE RIGHT AROUND THE CORNER. 185 00:10:32,600 --> 00:10:34,360 UM... 186 00:10:34,400 --> 00:10:36,360 I... ENJOYED 187 00:10:36,400 --> 00:10:37,520 LEARNING FROM YOU. 188 00:10:37,560 --> 00:10:39,600 I HOPE I GET TO DO MORE. 189 00:10:41,520 --> 00:10:45,000 YOU'RE AN EXPERT IN BORDER OFFENSES? 190 00:10:45,040 --> 00:10:46,160 HUMAN TRAFFICKING? 191 00:10:46,200 --> 00:10:47,240 MOSTLY. 192 00:10:48,440 --> 00:10:49,840 CAN WE TALK ABOUT THAT SOMETIME? 193 00:10:49,880 --> 00:10:50,960 WHY? 194 00:10:51,000 --> 00:10:53,520 WE COULD LEARN FROM EACH OTHER. 195 00:10:57,120 --> 00:10:58,360 [PILLS RATTLING IN POCKET] 196 00:11:00,600 --> 00:11:04,520 CAN YOU SEE IF THIS MAN 197 00:11:04,560 --> 00:11:07,400 IS IN ANY OF YOUR TRAFFICKING DATABASES? 198 00:11:07,440 --> 00:11:09,480 PHILLIP GENOVESE. 199 00:11:09,520 --> 00:11:10,560 JUST LOOK HIM UP? 200 00:11:10,600 --> 00:11:14,480 JUST SEE IF HE'S ON YOUR RADARS. 201 00:11:19,120 --> 00:11:20,320 [CHUCKLES WARMLY] 202 00:11:20,360 --> 00:11:21,640 I NEVER IMAGINED A POLICEMAN 203 00:11:21,680 --> 00:11:24,760 HAVING THIS MANY MOVING BOXES. 204 00:11:24,800 --> 00:11:26,560 MOST OF THEM ARE FILES. 205 00:11:26,600 --> 00:11:27,840 OPEN CASES, 206 00:11:27,880 --> 00:11:29,640 ONGOING INVESTIGATIONS. 207 00:11:29,680 --> 00:11:31,840 AND YOU ARE THE ONLY DETECTIVE IN ALL OF EUROPE. 208 00:11:31,880 --> 00:11:33,160 THEY'RE NOT MINE YET, 209 00:11:33,200 --> 00:11:36,280 BUT THEY ALL HAVE SOME CROSS-BORDER IMPLICATION. 210 00:11:38,000 --> 00:11:39,320 WE NEED TO CREATE OUR OWN CASES 211 00:11:39,360 --> 00:11:44,160 UNTIL LOCALS GET COMFORTABLE CALLING US DIRECTLY. 212 00:11:46,480 --> 00:11:48,760 YOU HAVEN'T ASKED ME ABOUT THE RUSSIAN. 213 00:11:50,360 --> 00:11:53,360 IF YOU HAVE SOMETHING TO TELL ME, YOU WILL. 214 00:11:55,440 --> 00:11:56,440 REBECCA? 215 00:11:57,880 --> 00:11:59,760 WELL, SHE SPENDS MOST OF HER DAY 216 00:11:59,800 --> 00:12:00,840 IN ETIENNE'S ROOM. 217 00:12:00,880 --> 00:12:03,200 I CANNOT BRING MYSELF TO GO IN THERE. 218 00:12:03,240 --> 00:12:05,320 WE BARELY SPEAK ANYMORE. 219 00:12:05,360 --> 00:12:06,720 HMM. 220 00:12:34,360 --> 00:12:37,400 ARE YOU ALL RIGHT? 221 00:12:37,440 --> 00:12:41,440 ARE YOU GOING TO BE THAT GIRL? 222 00:12:41,480 --> 00:12:43,120 "THAT GIRL?" 223 00:12:43,160 --> 00:12:47,680 THE "I'M GOING TO MOTHER EVERYBODY" GIRL. 224 00:12:47,720 --> 00:12:49,200 [CLEARS THROAT] I JUST ASKED. 225 00:12:49,240 --> 00:12:50,840 WELL, LET'S AGREE 226 00:12:50,880 --> 00:12:52,680 NOT TO ASK EACH OTHER THAT, 227 00:12:52,720 --> 00:12:53,760 "ARE YOU ALL RIGHT?" 228 00:12:55,120 --> 00:12:56,240 OKAY? EVER. 229 00:12:56,280 --> 00:12:58,920 LET'S MAKE THAT DEAL. 230 00:13:02,800 --> 00:13:03,640 [QUIETLY] ARE YOU DRUNK? 231 00:13:03,680 --> 00:13:04,680 I WISH. 232 00:13:06,040 --> 00:13:08,640 TRADITION IN MY FAMILY. 233 00:13:08,680 --> 00:13:10,120 ONE SHOT OF WHISKEY FOR THE DEAD. 234 00:13:11,040 --> 00:13:12,280 CHEERS, SIENNA. 235 00:13:15,480 --> 00:13:16,720 [DROPS CUP] 236 00:13:33,560 --> 00:13:34,760 SEBASTIAN... 237 00:13:34,800 --> 00:13:36,320 IS YOUR COMPUTER UP AND RUNNING RIGHT NOW? 238 00:13:36,360 --> 00:13:37,480 ALWAYS. 239 00:13:37,520 --> 00:13:39,120 THERE WAS SOMETHING IN THE LOCAL NEWS. 240 00:13:39,160 --> 00:13:40,440 TODAY'S NEWS? 241 00:13:40,480 --> 00:13:41,760 YEAH, TODAY'S NEWS. 242 00:13:41,800 --> 00:13:43,640 A MONTH AGO, 243 00:13:43,680 --> 00:13:44,640 A MILLIONAIRE DIED OF A MYSTERIOUS VIRUS 244 00:13:44,680 --> 00:13:45,640 IN DUSSELDORF. 245 00:13:45,680 --> 00:13:46,680 POISON WAS SUSPECTED, 246 00:13:46,720 --> 00:13:49,160 BUT THE POST MORTEM WAS INCONCLUSIVE. 247 00:13:50,440 --> 00:13:51,400 NOW, TAKE A LOOK AT THE HEADLINES 248 00:13:51,440 --> 00:13:54,920 IN THE AMSTERDAM NEWS. 249 00:13:54,960 --> 00:13:57,680 THERE IT IS. 250 00:13:57,720 --> 00:13:58,840 IS THIS THE KIND OF THING 251 00:13:58,880 --> 00:14:00,360 THE MAJOR IS TALKING ABOUT? 252 00:14:00,400 --> 00:14:01,160 SAME CRIME, TWO COUNTRIES. 253 00:14:01,200 --> 00:14:02,680 LOOKS LIKE. 254 00:14:06,880 --> 00:14:09,000 YOU KNOW THAT GUY DIED ALREADY? 255 00:14:09,040 --> 00:14:10,320 WHO? 256 00:14:10,360 --> 00:14:11,880 YESTERDAY. VAN GOGH. 257 00:14:12,960 --> 00:14:14,120 ALREADY? 258 00:14:14,160 --> 00:14:15,160 YEAH, WELL, USUALLY IT TAKES A FEW DAYS. 259 00:14:16,400 --> 00:14:17,680 NICOLE MUST'VE REALLY UPPED THE DOSE. 260 00:14:17,720 --> 00:14:19,520 THE BROAD'S OUT OF CONTROL, MAN. 261 00:14:19,560 --> 00:14:21,320 YEAH, BUT SHE'S GOOD. 262 00:14:21,360 --> 00:14:22,400 BUT THIS IS GOING TO BRING HEAT. 263 00:14:22,440 --> 00:14:24,120 IT WON'T BRING ANY HEAT 264 00:14:24,160 --> 00:14:26,080 AS LONG AS WE KEEP CHANGING COUNTRIES. 265 00:14:26,120 --> 00:14:27,240 YEAH, BUT IT'S ALL OVER THE NEWS, THAT'S NOT GOOD. 266 00:14:27,280 --> 00:14:29,360 IT DOESN'T MATTER. 267 00:14:29,400 --> 00:14:32,040 ONE MORE JOB, AND WE'RE GONE. 268 00:14:35,360 --> 00:14:36,920 SO, YESTERDAY IN AMSTERDAM, 269 00:14:36,960 --> 00:14:40,360 A REAL ESTATE DEVELOPER DIED OF A MYSTERIOUS ILLNESS. 270 00:14:40,400 --> 00:14:42,480 DOCTORS THINK IT'S A VIRUS, 271 00:14:42,520 --> 00:14:44,240 BUT THE VICTIM'S DAUGHTER, A FASHION MODEL, 272 00:14:44,280 --> 00:14:46,280 INSISTS THERE WAS FOUL PLAY. 273 00:14:46,320 --> 00:14:47,840 NOW, IN THE BOXES YOU HAD US LOOK AT, 274 00:14:47,880 --> 00:14:51,480 I FOUND A CASE FROM LAST MONTH IN GERMANY, 275 00:14:51,520 --> 00:14:54,840 AND SAME SYMPTOMS, ALSO A RICH MAN. 276 00:14:54,880 --> 00:14:56,000 ONLY IN GERMANY, 277 00:14:56,040 --> 00:14:57,840 THE FAMILY FOUND A VIAL IN THE APARTMENT 278 00:14:57,880 --> 00:15:00,480 THAT LOOKS LIKE IT COULD HOLD POISON. 279 00:15:00,520 --> 00:15:01,520 THE VIAL WAS TESTED, 280 00:15:01,560 --> 00:15:04,160 BUT THE RESULTS WERE INCONCLUSIVE. 281 00:15:04,200 --> 00:15:05,640 AND THERE WAS A SIMILAR CASE IN VENICE 282 00:15:05,680 --> 00:15:07,240 FIVE MONTHS AGO. 283 00:15:07,280 --> 00:15:09,040 I WENT THROUGH THE ITALIAN POLICE REPORTS. 284 00:15:09,080 --> 00:15:10,480 SAME SYMPTOMS. 285 00:15:10,520 --> 00:15:12,280 HOW DID YOU GET INTO ITALIAN POLICE REPORTS? 286 00:15:12,320 --> 00:15:15,160 IT WASN'T HARD TO HACK INTO THEIR COMPUTER SYSTEMS. 287 00:15:15,200 --> 00:15:17,720 REMIND ME TO TELL THEM TO DO A CYBER SECURITY CHECK. 288 00:15:17,760 --> 00:15:18,960 I'D STILL GET IN. 289 00:15:19,000 --> 00:15:20,600 HOW DOES THE GERMAN FAMILY KNOW 290 00:15:20,640 --> 00:15:22,000 THAT THE VIAL WASN'T SOMETHING ALREADY THERE? 291 00:15:22,040 --> 00:15:24,720 HE'D HAD THE SAME CLEANING WOMAN FOR ABOUT 30 YEARS, 292 00:15:24,760 --> 00:15:26,400 AND PAID HER A FORTUNE SO SHE WOULDN'T LEAVE. 293 00:15:26,440 --> 00:15:28,360 HAVE YOU LOCATED HER? 294 00:15:28,400 --> 00:15:29,960 THAT'S ANOTHER ODD TWIST. 295 00:15:30,000 --> 00:15:31,320 SHE'S IN THE HOSPITAL HERSELF. 296 00:15:31,360 --> 00:15:32,840 IN NEUSS, NEAR DUSSELDORF. 297 00:15:32,880 --> 00:15:34,640 CAN WE AT LEAST CHECK IT OUT? 298 00:15:34,680 --> 00:15:36,320 IT'S DEFINITELY CROSS-BORDER. 299 00:15:36,360 --> 00:15:38,040 I'LL HAVE TO CLEAR IT WITH DORN. 300 00:15:38,080 --> 00:15:39,480 IN THE MEANTIME, SEBASTIAN, 301 00:15:39,520 --> 00:15:41,760 I NEED YOU TO GO TO THE LATEST SCENE, 302 00:15:41,800 --> 00:15:42,840 IN AMSTERDAM. 303 00:15:42,880 --> 00:15:44,200 ALL RIGHT? 304 00:15:44,240 --> 00:15:45,520 WHAT DO YOU WANT ME TO DO? 305 00:15:45,560 --> 00:15:47,720 I NEED YOU AND EVA IN GERMANY. 306 00:15:47,760 --> 00:15:49,040 CARL, 307 00:15:49,080 --> 00:15:49,920 WOULD YOU GO WITH SEBASTIAN 308 00:15:49,960 --> 00:15:51,040 AND TAKE A LOOK AT THE SCENE? 309 00:15:51,080 --> 00:15:51,880 SURE. 310 00:15:53,440 --> 00:15:54,200 EVA? 311 00:15:54,240 --> 00:15:55,360 YEAH. 312 00:15:55,400 --> 00:15:57,400 DO YOU KNOW WHERE ANNE-MARIE IS? 313 00:15:57,440 --> 00:15:59,080 UM... 314 00:15:59,120 --> 00:16:00,320 PROBABLY SHE'S IN THE LOO. 315 00:16:00,360 --> 00:16:01,680 I'LL GO AND CHECK IT OUT. 316 00:16:08,600 --> 00:16:10,080 [GASPING] 317 00:16:12,880 --> 00:16:14,520 HEY. 318 00:16:14,560 --> 00:16:15,680 THERE YOU ARE. 319 00:16:15,720 --> 00:16:17,320 UM... 320 00:16:17,360 --> 00:16:18,840 WE MAY HAVE A NEW CASE. 321 00:16:18,880 --> 00:16:21,400 GOOD. GOOD... 322 00:16:24,960 --> 00:16:25,920 YOU OKAY? 323 00:16:25,960 --> 00:16:27,400 I'M FINE. FINE. 324 00:16:35,360 --> 00:16:38,720 [DOORBELL RINGS] 325 00:16:48,880 --> 00:16:49,680 MICHEL... 326 00:16:49,720 --> 00:16:50,640 LET ME COME IN. 327 00:16:50,680 --> 00:16:52,040 MAYBE ANOTHER TIME. 328 00:16:52,080 --> 00:16:52,880 YOU CANNOT CLOSE YOURSELF OFF 329 00:16:52,920 --> 00:16:54,720 FROM THE WORLD. 330 00:16:54,760 --> 00:16:56,240 DON'T TELL ME WHAT I CAN'T DO. 331 00:16:56,280 --> 00:16:58,680 LOUIS DOES ENOUGH OF THAT. 332 00:16:58,720 --> 00:17:01,200 I'LL TELL HIM YOU STOPPED BY. 333 00:17:01,240 --> 00:17:02,720 I DIDN'T COME TO SEE HIM, AND YOU KNOW IT. 334 00:17:03,880 --> 00:17:05,720 I KNOW. 335 00:17:05,760 --> 00:17:08,160 I KNOW, MICHEL. 336 00:17:08,200 --> 00:17:09,760 BUT I'M NOT READY. 337 00:17:09,800 --> 00:17:11,120 -FOR WHAT? -FOR COMFORT. 338 00:17:11,160 --> 00:17:12,520 COMFORT? 339 00:17:12,560 --> 00:17:13,360 FROM ME? 340 00:17:13,400 --> 00:17:15,120 NEVER. 341 00:17:15,160 --> 00:17:17,480 I DO NOT HAVE THAT ABILITY. 342 00:17:18,480 --> 00:17:19,840 THEN WHAT DO YOU WANT? 343 00:17:19,880 --> 00:17:22,640 I NEED YOU TO TELL ME EXACTLY WHAT HAPPENED THAT NIGHT. 344 00:17:26,960 --> 00:17:31,080 I'D JUST PUT ETIENNE TO BED. 345 00:17:31,120 --> 00:17:33,360 LOUIS WENT OUT FOR MORE WINE. 346 00:17:33,400 --> 00:17:36,880 IT WAS A NORMAL NIGHT. 347 00:17:36,920 --> 00:17:39,920 IT WAS QUIET. 348 00:17:39,960 --> 00:17:41,960 AND THEN-- 349 00:17:45,160 --> 00:17:49,320 HIS ROOM IS JUST ABOVE THE GARAGE. 350 00:17:49,360 --> 00:17:51,040 I TRIED TO GO IN, BUT... 351 00:17:51,080 --> 00:17:53,880 THE ROOM WAS GONE. 352 00:17:56,360 --> 00:17:58,000 AND THEN I SAW HIM. 353 00:17:58,040 --> 00:18:00,920 BUT NOT IN THE ROOM. 354 00:18:00,960 --> 00:18:03,960 HE WAS OUTSIDE, ON THE GRASS. 355 00:18:04,000 --> 00:18:07,280 WHAT HAVE YOU DONE? 356 00:18:13,480 --> 00:18:16,320 IS THERE... 357 00:18:16,360 --> 00:18:18,280 A POSSIBILITY 358 00:18:18,320 --> 00:18:20,640 THAT ETIENNE WAS THE TARGET? 359 00:18:20,680 --> 00:18:21,880 COULD THEY HAVE BEEN 360 00:18:21,920 --> 00:18:24,280 AIMING FOR HIM? 361 00:18:24,320 --> 00:18:26,720 NO. 362 00:18:26,760 --> 00:18:27,840 THE BOMB WAS IN THE CAR. 363 00:18:27,880 --> 00:18:29,600 AH. 364 00:18:31,200 --> 00:18:33,320 WHY DO YOU ASK? 365 00:18:33,360 --> 00:18:34,720 I'M JUST TRYING TO GET A PICTURE 366 00:18:34,760 --> 00:18:37,000 OF THE PERSON THAT I AM HUNTING. 367 00:18:37,040 --> 00:18:38,840 WHY? 368 00:18:38,880 --> 00:18:39,880 HE'S TURNED THIS OVER TO YOU? 369 00:18:39,920 --> 00:18:43,280 NO, ACTUALLY I INSISTED 370 00:18:43,320 --> 00:18:45,400 THAT HE LET ME DO IT. 371 00:18:45,440 --> 00:18:47,000 WHY? DOES THAT MAKE YOU ANGRY? 372 00:18:47,040 --> 00:18:53,560 I'M NOT CERTAIN I CAN FEEL ANGER ANYMORE, MICHEL. 373 00:18:53,600 --> 00:18:55,720 I'M NOT CERTAIN I CAN FEEL ANYTHING. 374 00:18:56,960 --> 00:18:58,000 HE KNOWS 375 00:18:58,040 --> 00:19:00,840 IF HE HAD TAKEN HIS CAR THAT NIGHT, 376 00:19:00,880 --> 00:19:02,240 ETIENNE WOULD STILL BE HERE. 377 00:19:02,280 --> 00:19:04,080 NO, HE DOESN'T KNOW THAT. 378 00:19:04,120 --> 00:19:05,240 HE MAY THINK THAT, 379 00:19:05,280 --> 00:19:07,480 BUT HE DOES NOT KNOW THAT. 380 00:19:11,160 --> 00:19:13,200 IT'S HARD TO GO THROUGH THIS ALONE. 381 00:19:14,600 --> 00:19:16,920 FOR HIM, TOO. 382 00:19:16,960 --> 00:19:20,480 HE'S TRYING TO OBLITERATE HIS GRIEF WITH HIS WORK. 383 00:19:20,520 --> 00:19:22,280 IT'S NOT HIS INTENT TO LEAVE YOU ALONE. 384 00:19:23,440 --> 00:19:25,640 I DON'T MEAN PHYSICALLY. 385 00:19:25,680 --> 00:19:30,160 I'M USED TO HIM BEING GONE. 386 00:19:30,200 --> 00:19:31,520 BUT HE HASN'T CRIED. 387 00:19:31,560 --> 00:19:36,760 NOT ONCE. 388 00:19:36,800 --> 00:19:38,720 AND CRYING FOR TWO, IT'S... 389 00:19:38,760 --> 00:19:41,880 LONELY. 390 00:19:43,880 --> 00:19:46,480 YOU ARE NOT ALONE, DEAR GIRL. 391 00:19:46,520 --> 00:19:49,120 YOU HAVE SO MANY FRIENDS. 392 00:19:49,160 --> 00:19:50,640 THEY DON'T WANT TO COMFORT YOU. 393 00:19:50,680 --> 00:19:53,720 THEY JUST WANT TO LOVE YOU. 394 00:19:53,760 --> 00:19:55,480 THE LOVE IS THERE, REBECCA. 395 00:19:57,280 --> 00:19:58,360 TAKE IT. 396 00:19:58,400 --> 00:20:00,960 PLEASE. 397 00:20:05,280 --> 00:20:07,200 THIS WAY. 398 00:20:08,520 --> 00:20:11,040 HIS WIFE DIED BEFORE HE MOVED IN, 399 00:20:11,080 --> 00:20:13,200 AND HIS DAUGHTER IS NOT AROUND MUCH. 400 00:20:13,240 --> 00:20:14,080 SHE'S A MODEL. 401 00:20:14,120 --> 00:20:15,200 SO WE HEARD. 402 00:20:15,240 --> 00:20:17,560 WHEN DID YOU DISCOVER THAT HE WAS SICK? 403 00:20:17,600 --> 00:20:20,480 FIRST SET OF MEDICS SAID HE WAS POISONED. 404 00:20:20,520 --> 00:20:22,000 "FIRST SET?" 405 00:20:22,040 --> 00:20:24,680 YEAH, THEY WERE FROM A PRIVATE COMPANY. 406 00:20:24,720 --> 00:20:26,880 [SEBASTIAN]: DID YOU REPORT THAT? 407 00:20:26,920 --> 00:20:30,440 I'M USED TO RICH PEOPLE HAVING THEIR OWN AMBULANCES, 408 00:20:30,480 --> 00:20:31,920 PRIVATE EVERYTHING, YOU KNOW. 409 00:20:31,960 --> 00:20:33,320 WHEN THE CITY GUYS GOT HERE, 410 00:20:33,360 --> 00:20:36,440 THE PRIVATE GUYS HAD ALREADY DISAPPEARED. 411 00:20:36,480 --> 00:20:37,960 DISAPPEARED? 412 00:20:38,000 --> 00:20:39,520 YEAH. THEY TOLD ME 413 00:20:39,560 --> 00:20:41,920 THEY WERE STARTING THE CALL FOR A CITY CREW. 414 00:20:41,960 --> 00:20:43,160 THAT'S WHY THEY WANTED ME 415 00:20:43,200 --> 00:20:44,520 TO GO BACK DOWN AND WAIT. 416 00:20:44,560 --> 00:20:47,600 WE PROBABLY MISSED THEM ON OUR WAY UP. 417 00:20:47,640 --> 00:20:50,080 IS ANYTHING MISSING? 418 00:20:50,120 --> 00:20:52,840 NOT THAT I CAN SEE. 419 00:20:52,880 --> 00:20:54,360 HIS DAUGHTER CHECKED IT OUT, TOO. 420 00:20:54,400 --> 00:20:55,360 NOTHING. 421 00:20:57,640 --> 00:20:59,520 WHOA, THAT'S A VAN GOGH. 422 00:20:59,560 --> 00:21:00,480 WHAT? 423 00:21:00,520 --> 00:21:02,160 NEVER MIND. 424 00:21:02,200 --> 00:21:03,320 DO YOU KNOW 425 00:21:03,360 --> 00:21:05,080 IF THAT LIPSTICK BELONGED TO HIS DAUGHTER? 426 00:21:05,120 --> 00:21:07,880 NO. 427 00:21:07,920 --> 00:21:09,120 HE HAD A LADY OVER THAT NIGHT. 428 00:21:09,160 --> 00:21:10,840 THIS MACHINE WILL GIVE US SAMPLES 429 00:21:10,880 --> 00:21:12,000 OF ALL THE FINGERPRINTS IN THE FLAT, 430 00:21:12,040 --> 00:21:14,240 SO WE CAN ISOLATE HIS AND ANYONE ELSE'S. 431 00:21:14,280 --> 00:21:16,240 WE'LL NEED TO TAKE YOURS FOR ELIMINATION. 432 00:21:16,280 --> 00:21:17,520 SURE, WHATEVER. 433 00:21:17,560 --> 00:21:19,080 [SCANNER BEEPING] 434 00:21:19,120 --> 00:21:20,600 THAT'S ODD. 435 00:21:20,640 --> 00:21:23,080 WHAT'S WRONG? 436 00:21:23,120 --> 00:21:24,240 THIS DOESN'T USE RADIO WAVES, 437 00:21:24,280 --> 00:21:26,600 SO IT CAN'T BE INTERFERENCE. 438 00:21:26,640 --> 00:21:28,080 [BEEPING STOPS] 439 00:21:29,280 --> 00:21:30,080 [BEEPING RESUMES] 440 00:21:31,880 --> 00:21:33,840 OKAY, EVERYBODY TAKE A BIG STEP AWAY FROM THE GLASS. 441 00:21:33,880 --> 00:21:36,640 STEP BACK NOW! 442 00:21:36,680 --> 00:21:38,080 WHAT IS IT, SEBASTIAN? 443 00:21:39,000 --> 00:21:40,200 THERE'S ONLY ONE THING 444 00:21:40,240 --> 00:21:41,040 WITH THE ENERGY TO CAUSE THIS SORT OF DROPOUT 445 00:21:41,080 --> 00:21:42,840 ON THE SCANGEN. 446 00:21:42,880 --> 00:21:44,360 RADIATION. 447 00:22:02,200 --> 00:22:03,360 [LOUIS]: ARE YOU ALL RIGHT? 448 00:22:03,400 --> 00:22:04,840 FOR NOW, YEAH. 449 00:22:04,880 --> 00:22:06,120 THEY TOOK SEBASTIAN'S BLOOD JUST NOW, 450 00:22:06,160 --> 00:22:08,000 AND NOW THEY'RE TAKING MINE. 451 00:22:08,040 --> 00:22:10,760 YOU'LL FIND AN UNUSUALLY HIGH AMOUNT OF OPIATES 452 00:22:10,800 --> 00:22:11,920 IN MY BLOOD. 453 00:22:13,040 --> 00:22:13,960 I HAVE A PRESCRIPTION. 454 00:22:14,000 --> 00:22:15,080 OH. 455 00:22:15,120 --> 00:22:16,240 WE'RE ONLY CHECKING FOR RADIATION. 456 00:22:17,520 --> 00:22:19,280 ON THREE-- 457 00:22:19,320 --> 00:22:20,240 -ONE, TWO-- -OW! 458 00:22:20,280 --> 00:22:21,760 THREE. 459 00:22:21,800 --> 00:22:25,280 SO...WHAT DO YOU DO IF YOU FIND SOMETHING IN THERE? 460 00:22:25,320 --> 00:22:27,360 NOT A GREAT DEAL, I'M AFRAID. 461 00:22:27,400 --> 00:22:28,960 WELL, THEN, WHY BOTHER WITH ALL THE TESTS? 462 00:22:29,000 --> 00:22:33,440 TO DETERMINE EXACTLY WHICH TYPE OF RADIATION IT IS. 463 00:22:33,480 --> 00:22:34,600 HAZMAT JUST IDENTIFIED IT 464 00:22:34,640 --> 00:22:35,920 AS POLONIUM 210. 465 00:22:35,960 --> 00:22:37,920 SCIENTISTS CALL IT "THE TERMINATOR". 466 00:22:37,960 --> 00:22:39,000 OH, THAT'S COMFORTING. 467 00:22:39,880 --> 00:22:40,840 AND DID YOU INGEST ANY OF IT? 468 00:22:40,880 --> 00:22:42,120 I DON'T THINK SO. 469 00:22:42,160 --> 00:22:44,960 IT'S HARMLESS IF IT STAYS OUTSIDE OF THE BODY. 470 00:22:45,000 --> 00:22:46,360 BUT ONCE INSIDE, 471 00:22:46,400 --> 00:22:47,560 IT USUALLY TAKES DAYS 472 00:22:47,600 --> 00:22:49,760 BEFORE THERE'S ANY SIGNS OF ILLNESS. 473 00:22:49,800 --> 00:22:52,600 OUR AMSTERDAM VICTIM DIED IN A DAY. 474 00:22:52,640 --> 00:22:53,640 THEN HE GOT A HUGE DOSE. 475 00:22:55,080 --> 00:22:56,240 WHAT ARE THE SYMPTOMS? 476 00:22:57,440 --> 00:22:59,600 MULTIPLE ORGAN FAILURE, 477 00:22:59,640 --> 00:23:02,240 LUNG COLLAPSE, INTERNAL BLEEDING. 478 00:23:02,280 --> 00:23:04,160 IT COOKS YOUR INSIDES LIKE A MICROWAVE OVEN. 479 00:23:04,200 --> 00:23:07,360 YOU HAVE A TERRIBLE BEDSIDE MANNER, YOU KNOW. 480 00:23:07,400 --> 00:23:08,720 KEEP ME POSTED, CARL. 481 00:23:08,760 --> 00:23:10,080 JUST FIGURE OUT WHAT HAPPENED THERE. 482 00:23:10,120 --> 00:23:11,520 I NEED TO TELL TOMMY AND EVA 483 00:23:11,560 --> 00:23:14,280 WHAT THEY MIGHT BE DEALING WITH. 484 00:23:14,320 --> 00:23:15,960 YOU NEED TO LET THE DOCTORS KNOW 485 00:23:16,000 --> 00:23:18,360 THAT SHE MAY HAVE COME IN CONTACT WITH POLONIUM. 486 00:23:18,400 --> 00:23:19,560 POLONIUM? 487 00:23:19,600 --> 00:23:20,880 SHE'S RADIOACTIVE. 488 00:23:20,920 --> 00:23:22,720 A SPECIAL PHYSICIAN HAS BEEN NOTIFIED 489 00:23:22,760 --> 00:23:24,560 AS WELL AS A HAZARDOUS MATERIALS TEAM. 490 00:23:24,600 --> 00:23:25,480 I'LL GET HER DOCTOR. 491 00:23:27,120 --> 00:23:28,280 THANK YOU. 492 00:23:37,800 --> 00:23:40,680 [MONITORS BEEP] 493 00:23:47,360 --> 00:23:49,000 HI. 494 00:23:52,000 --> 00:23:53,520 I'M EVA VITTORIA, HE IS TOMMY McCONNELL. 495 00:23:53,560 --> 00:23:54,600 WE ARE FROM THE ICC, 496 00:23:54,640 --> 00:23:56,840 AND WE BELIEVE YOUR SUSPICIONS 497 00:23:56,880 --> 00:23:58,360 ABOUT YOUR EMPLOYER BEING POISONED 498 00:23:58,400 --> 00:23:59,520 ARE CORRECT. 499 00:24:01,920 --> 00:24:02,840 [STRUGGLING TO SPEAK] 500 00:24:02,880 --> 00:24:04,280 THEY SAID I WAS CRAZY. 501 00:24:05,440 --> 00:24:06,520 DO YOU MIND IF I SIT? 502 00:24:06,560 --> 00:24:08,760 [COUGHS] PLEASE. 503 00:24:12,400 --> 00:24:13,640 DO YOU REMEMBER 504 00:24:13,680 --> 00:24:16,240 IF ANYONE CAME TO VISIT YOUR EMPLOYER RECENTLY? 505 00:24:17,280 --> 00:24:18,240 NO. 506 00:24:18,280 --> 00:24:19,640 NO ONE? 507 00:24:19,680 --> 00:24:21,760 DO YOU KNOW IF ANYTHING IS MISSING FROM THE HOUSE? 508 00:24:23,160 --> 00:24:25,400 NOTHING WAS MOVED OR CHANGED, 509 00:24:25,440 --> 00:24:29,040 EXCEPT FOR THAT VIAL. 510 00:24:29,080 --> 00:24:30,560 THE VIAL. 511 00:24:30,600 --> 00:24:32,840 DID YOU COME INTO DIRECT CONTACT 512 00:24:32,880 --> 00:24:33,920 WITH THE LIQUID INSIDE? 513 00:24:33,960 --> 00:24:35,880 TOUCH IT OR DRINK IT? 514 00:24:35,920 --> 00:24:37,600 I SMELLED IT. 515 00:24:40,560 --> 00:24:41,520 AM I GOING TO DIE? 516 00:24:42,480 --> 00:24:44,880 NO, MA'AM. 517 00:24:44,920 --> 00:24:47,200 HE'S LIKE 518 00:24:47,240 --> 00:24:49,360 MY FIRST HUSBAND. 519 00:24:49,400 --> 00:24:50,960 GOOD HEART, 520 00:24:51,000 --> 00:24:53,960 AND A BAD LIAR. 521 00:24:57,280 --> 00:24:59,720 LOOKS LIKE SHE'S WEARING A WIG. 522 00:24:59,760 --> 00:25:00,800 SHE PROBABLY IS. 523 00:25:02,800 --> 00:25:05,320 BUT YOU CAN'T DISGUISE BONE STRUCTURE LIKE THAT. 524 00:25:07,000 --> 00:25:08,320 I'LL RUN IT. 525 00:25:09,640 --> 00:25:11,120 WHAT'S THE DATABASE? 526 00:25:11,160 --> 00:25:12,480 FACIAL RECOGNITION SOFTWARE 527 00:25:12,520 --> 00:25:14,080 WITH ACCESS TO EVERY POLICE COMPUTER IN EUROPE. 528 00:25:14,120 --> 00:25:16,200 DORN HAS THE POWER TO GIVE YOU ACCESS 529 00:25:16,240 --> 00:25:17,520 TO EVERY CITY'S FILES? 530 00:25:17,560 --> 00:25:18,920 NO. 531 00:25:18,960 --> 00:25:20,880 I WROTE A PROGRAM... THAT MEANS WE DON'T HAVE TO ASK. 532 00:25:20,920 --> 00:25:22,400 [CHUCKLES] 533 00:25:22,440 --> 00:25:23,760 HERE. 534 00:25:23,800 --> 00:25:25,440 NICOLE RYAN. IRISH NATIONAL. 535 00:25:25,480 --> 00:25:26,360 DANCER, 536 00:25:26,400 --> 00:25:27,840 GRADUATED TO PROSTITUTION. 537 00:25:27,880 --> 00:25:29,200 BEEN OFF THE RADAR FOR A WHILE. 538 00:25:29,240 --> 00:25:31,760 LAST INTERPOL RECORD OF HER... 539 00:25:31,800 --> 00:25:32,960 SHE WAS ENTERING RUSSIA. 540 00:25:33,000 --> 00:25:35,400 [TELEPHONE RINGS] 541 00:25:35,440 --> 00:25:37,080 YEAH? 542 00:25:37,120 --> 00:25:38,840 OKAY. 543 00:25:38,880 --> 00:25:40,120 RADIATION LEVELS HAVE DROPPED. 544 00:25:41,600 --> 00:25:43,680 YOU'VE GOT CLEARANCE TO GO BACK INTO THE FLAT. 545 00:25:59,920 --> 00:26:02,400 [MONITORS BEEPING] 546 00:26:02,440 --> 00:26:06,240 [GASPS HER LAST BREATH] 547 00:26:06,280 --> 00:26:09,120 [MONITORS FLATLINING] 548 00:26:28,400 --> 00:26:29,920 OKAY, WE HAVE LIFT-OFF. 549 00:26:34,280 --> 00:26:35,200 HUH. 550 00:26:35,240 --> 00:26:37,000 GOT FINGERPRINTS EVERYWHERE. 551 00:26:37,040 --> 00:26:37,960 WHERE ARE THE CONCENTRATIONS? 552 00:26:38,000 --> 00:26:39,320 WHERE YOU WOULD EXPECT. 553 00:26:39,360 --> 00:26:40,920 DOOR HANDLES, LIGHT SWITCHES, 554 00:26:40,960 --> 00:26:43,280 TABLES. 555 00:26:43,320 --> 00:26:45,520 SEBASTIAN, POINT THAT THING OVER HERE TOWARD THE PAINTING. 556 00:26:48,560 --> 00:26:49,880 DO YOU HAVE ULTRAVIOLET? 557 00:26:49,920 --> 00:26:52,160 THAT'S LIKE ASKING IF A CAR HAS A CUP HOLDER. 558 00:26:52,200 --> 00:26:54,240 I ACTUALLY REMEMBER WHEN THEY DIDN'T. 559 00:26:54,280 --> 00:26:55,920 SERIOUSLY? 560 00:26:55,960 --> 00:26:56,920 COME ON. 561 00:26:56,960 --> 00:26:58,600 ULTRAVIOLET. 562 00:27:00,160 --> 00:27:01,240 IT'S A FAKE. 563 00:27:01,280 --> 00:27:02,560 PROBABLY PAINTED OVER ANOTHER PAINTING 564 00:27:02,600 --> 00:27:04,800 AND ARTIFICIALLY AGED. 565 00:27:08,440 --> 00:27:10,160 THEY CUT THE TRACKER OUT AND TOOK THE ORIGINAL. 566 00:27:10,200 --> 00:27:11,680 "THEY?" 567 00:27:11,720 --> 00:27:15,320 THE FIRST AMBULANCE CREW. 568 00:27:25,200 --> 00:27:26,600 THE TARGET IS TAYLOR REED. 569 00:27:26,640 --> 00:27:27,600 ART DEALER. 570 00:27:27,640 --> 00:27:29,640 WHAT CAN YOU TELL ME ABOUT HIM? 571 00:27:29,680 --> 00:27:33,920 WELL, TO BEGIN WITH, HE ISN'T A HE. 572 00:27:35,240 --> 00:27:37,680 SHE LEFT HER BILLIONAIRE HUSBAND TWO YEARS AGO 573 00:27:37,720 --> 00:27:38,760 FOR A YOUNGER WOMAN. 574 00:27:38,800 --> 00:27:42,360 BUT DON'T WORRY, SHE'S SINGLE NOW, 575 00:27:42,400 --> 00:27:43,840 SO YOU CAN USE YOUR CHARMS ON HER. 576 00:27:43,880 --> 00:27:45,440 A WOMAN? 577 00:27:45,480 --> 00:27:48,600 WHAT, DOES THAT BOTHER YOU? 578 00:27:48,640 --> 00:27:52,840 WOMEN AREN'T USUALLY PREDATORS LIKE MEN ARE. 579 00:27:52,880 --> 00:27:54,840 [SCOFFS] 580 00:27:54,880 --> 00:28:00,120 SAID BY THE COLDEST-HEARTED BITCH I'VE EVER MET. 581 00:28:00,160 --> 00:28:02,040 USE WHAT YOU HAVE PROPERLY. 582 00:28:02,080 --> 00:28:04,720 MAYBE YOU AND THE RUSSIAN CAN FINALLY CALL IT EVEN. 583 00:28:06,200 --> 00:28:07,760 THE RUSSIAN? 584 00:28:07,800 --> 00:28:08,920 YOU THINK I DON'T KNOW 585 00:28:08,960 --> 00:28:10,520 WHY YOU'VE BEEN OVERDOSING THESE GUYS? 586 00:28:28,880 --> 00:28:30,440 SIR, I-- 587 00:28:30,480 --> 00:28:31,760 WE HAVE OUR AUTHORIZATION. 588 00:28:31,800 --> 00:28:33,000 HAVE WE HEARD ANYTHING FROM THE FIELD? 589 00:28:33,040 --> 00:28:34,240 NO, NOT YET, BUT-- 590 00:28:34,280 --> 00:28:37,400 GET CARL ON THE PHONE. I NEED TO SPEAK TO HIM. 591 00:28:37,440 --> 00:28:41,120 I'M NOT YOUR SECRETARY. 592 00:28:41,160 --> 00:28:42,240 SORRY? 593 00:28:42,280 --> 00:28:44,840 OR CLERK OR ASSISTANT. 594 00:28:44,880 --> 00:28:45,840 I'M A DETECTIVE. 595 00:28:45,880 --> 00:28:47,240 I BELONG IN THE FIELD 596 00:28:47,280 --> 00:28:48,640 WITH THE TEAM. 597 00:28:48,680 --> 00:28:50,360 I DON'T WANT TO RISK YOU BEING HURT AGAIN. 598 00:28:51,400 --> 00:28:54,480 ALL DUE RESPECT, SIR, THAT'S MY DECISION. 599 00:28:54,520 --> 00:28:57,560 I'M HERE AS AN EQUAL MEMBER, OR I'M GOING BACK TO MY UNIT. 600 00:28:58,880 --> 00:29:01,320 IT'S THE FIRST CASE AFTER SIENNA. 601 00:29:01,360 --> 00:29:05,880 PLEASE, DON'T... DON'T MAKE ME HIDE BACK HERE. 602 00:29:08,680 --> 00:29:09,840 OKAY, THEN. 603 00:29:09,880 --> 00:29:11,240 WE'LL GO TOGETHER. 604 00:29:34,040 --> 00:29:36,400 SO, HOW IS SHE? 605 00:29:36,440 --> 00:29:38,160 [LOUIS]: SHE HAS A BROKEN RIB. 606 00:29:38,200 --> 00:29:39,600 IT CAUSED BLEEDING IN HER LUNG. 607 00:29:39,640 --> 00:29:41,560 THAT'S WHY THEY DIDN'T WANT HER TO LEAVE THE HOSPITAL 608 00:29:41,600 --> 00:29:43,520 IN THE FIRST PLACE. 609 00:29:43,560 --> 00:29:44,400 SHE WAS SUPPOSED TO BE IN THE HOSPITAL? 610 00:29:44,440 --> 00:29:45,640 YEAH. SHE CHECKED HERSELF OUT 611 00:29:45,680 --> 00:29:47,440 AGAINST MEDICAL ADVICE. 612 00:29:47,480 --> 00:29:48,320 CHRIST. 613 00:29:48,360 --> 00:29:49,880 SHE'S GOING TO BE ALL RIGHT. 614 00:29:49,920 --> 00:29:52,480 SHE NEEDS TIME. 615 00:29:52,520 --> 00:29:54,160 WHAT ABOUT YOU? THE RADIATION? 616 00:29:54,200 --> 00:29:55,960 TESTS ARE CLEAR. 617 00:29:56,000 --> 00:29:57,040 AND WE THINK WE KNOW 618 00:29:57,080 --> 00:29:58,200 WHAT'S GOING ON WITH THE POLONIUM. 619 00:30:00,440 --> 00:30:02,720 THE AMSTERDAM VICTIM HAD AN ORIGINAL VAN GOGH 620 00:30:02,760 --> 00:30:04,560 STOLEN BY FAKE PARAMEDICS. 621 00:30:04,600 --> 00:30:05,600 THEY ANSWERED HIS CALL 622 00:30:05,640 --> 00:30:07,080 AFTER HIS GLASS OF WINE WAS DRUGGED. 623 00:30:07,120 --> 00:30:08,400 [CARL]: THERE WAS A METAL TRACER ON THE BACK. 624 00:30:08,440 --> 00:30:09,600 THEY TOOK IT OUT 625 00:30:09,640 --> 00:30:11,000 AND REPLACED THE PAINTING WITH A FORGERY. 626 00:30:11,040 --> 00:30:12,520 WE TRACKED OUR MAIN POISONING SUSPECT, 627 00:30:12,560 --> 00:30:13,840 AN IRISH WOMAN, 628 00:30:13,880 --> 00:30:15,000 TO A FASHION SHOW AND PARTY 629 00:30:15,040 --> 00:30:16,240 WHERE WE SHE MET THE AMSTERDAM VICTIM. 630 00:30:16,280 --> 00:30:19,160 WE HAVE NO LEAD ON HER WHEREABOUTS, 631 00:30:19,200 --> 00:30:20,400 NOR THE MAN TO HER LEFT, 632 00:30:20,440 --> 00:30:22,280 WHO SHE SPOKE TO REPEATEDLY. 633 00:30:22,320 --> 00:30:23,680 HIS FACE COULD BE ONE OF THE BOGUS PARAMEDICS 634 00:30:23,720 --> 00:30:25,080 WHO CAME TO THE APARTMENT, 635 00:30:25,120 --> 00:30:27,240 BUT THERE'S NO FACIAL RECOGNITION RECORD 636 00:30:27,280 --> 00:30:28,240 OF HIM ANYWHERE. 637 00:30:28,280 --> 00:30:29,240 MEANING NO CRIMINAL RECORD? 638 00:30:29,280 --> 00:30:30,840 NOT THAT I CAN FIND. 639 00:30:30,880 --> 00:30:32,520 BUT HE KEEPS BAD COMPANY. 640 00:30:32,560 --> 00:30:34,600 THIS MAN... 641 00:30:34,640 --> 00:30:36,120 IS THIS MAN... 642 00:30:36,160 --> 00:30:38,680 MARCUS STAAM, DUTCH NATIONAL. 643 00:30:38,720 --> 00:30:41,000 FOOT SOLDIER, CAREER CRIMINAL 644 00:30:41,040 --> 00:30:43,440 WITH LINKS TO A RUSSIAN MOB FIGURE NAMED DIMITROV. 645 00:30:43,480 --> 00:30:45,000 DIMITROV? ARE YOU SURE? 646 00:30:45,040 --> 00:30:47,360 YEAH, THE NAME MEAN SOMETHING TO YOU? 647 00:30:47,400 --> 00:30:49,120 I KNOW WHO HE IS. 648 00:30:49,160 --> 00:30:50,400 WELL, OUR BEST LEAD SO FAR 649 00:30:50,440 --> 00:30:52,080 COMES FROM OUR DEAD GERMAN'S COMPUTER FILES. 650 00:30:52,120 --> 00:30:54,120 HE HAD EVERYTHING IN HIS HOUSE 651 00:30:54,160 --> 00:30:55,440 TAGGED WITH HIGH-END CERAMIC TRACERS, 652 00:30:55,480 --> 00:30:57,480 EVEN THE NON-VALUABLES. 653 00:30:57,520 --> 00:30:59,400 LOCAL POLICE CHECKED THE VICTIM'S ART. 654 00:30:59,440 --> 00:31:01,040 TURNS OUT A VERMEER WAS STOLEN 655 00:31:01,080 --> 00:31:04,040 AND REPLACED WITH A FAKE. 656 00:31:04,080 --> 00:31:05,440 BUT SINCE THEY COULDN'T FIND THE TRACER, 657 00:31:05,480 --> 00:31:08,120 WE'VE TRACKED THE VERMEER TO A WAREHOUSE 658 00:31:08,160 --> 00:31:09,520 ABOUT 15 MILES OUTSIDE OF AMSTERDAM. 659 00:31:09,560 --> 00:31:11,560 THE PAINTING SPENT FIVE DAYS THERE 660 00:31:11,600 --> 00:31:12,840 BEFORE BEING TRANSPORTED TO SAUDI ARABIA. 661 00:31:12,880 --> 00:31:13,960 LOCAL MAPPING 662 00:31:14,000 --> 00:31:15,440 SUGGESTS IT'S DERELICT, 663 00:31:15,480 --> 00:31:18,240 BUT ELECTRICAL AND GAS USAGE SAYS SOMEONE'S LIVING THERE. 664 00:31:19,720 --> 00:31:21,640 LET'S GO AND DO THIS OURSELVES. 665 00:32:07,320 --> 00:32:09,520 HE'S GOT A TECH 9, 666 00:32:09,560 --> 00:32:10,880 AND HE SUCKS AT BASKETBALL. 667 00:32:14,360 --> 00:32:15,480 I'VE GOT EYES ON STAAM. 668 00:32:16,760 --> 00:32:17,800 COPY, SEBASTIAN. 669 00:32:19,480 --> 00:32:20,960 LOUIS. 670 00:32:21,000 --> 00:32:22,200 [LOUIS]: TELL ME. 671 00:32:22,240 --> 00:32:23,800 [CARL]: INBOUND CAR COMING YOUR WAY. 672 00:32:25,960 --> 00:32:26,760 WE NEED TO MOVE. 673 00:32:27,760 --> 00:32:29,760 READY. 674 00:32:29,800 --> 00:32:30,840 GET YOUR HANDS IN THE AIR! 675 00:32:30,880 --> 00:32:32,760 GET 'EM UP! GET 'EM UP NOW! 676 00:32:32,800 --> 00:32:34,160 HANDS. 677 00:32:34,200 --> 00:32:35,520 NOW. 678 00:32:37,560 --> 00:32:40,120 I DON'T THINK SO, MAN. 679 00:32:40,160 --> 00:32:41,080 [GUNSHOT] 680 00:32:48,960 --> 00:32:50,440 [SHOTS BLASTING] 681 00:32:57,560 --> 00:32:59,960 I KNOW WHAT YOU'RE THINKING, 682 00:33:00,000 --> 00:33:01,280 BUT YOU'RE NOT GOING TO RUN OVER ALL THREE OF US. 683 00:33:01,320 --> 00:33:03,640 YOU'VE GOT A HEARTBEAT TO GIVE IT UP, PAL, 684 00:33:03,680 --> 00:33:04,480 OR THAT BEAUTIFUL LADY 685 00:33:04,520 --> 00:33:05,280 IS GOING TO SHOOT YOU. 686 00:33:05,320 --> 00:33:06,320 I'VE BEEN SHOT BEFORE. 687 00:33:06,360 --> 00:33:07,720 YEAH? 688 00:33:07,760 --> 00:33:09,840 I BET YOU NEVER SAW THE BULLET COMING. 689 00:33:09,880 --> 00:33:10,920 ANYONE CARE WHICH EYE I SHOOT? 690 00:33:10,960 --> 00:33:12,200 LADY'S CHOICE. 691 00:33:17,960 --> 00:33:21,680 I DON'T KNOW THE GIRL. 692 00:33:21,720 --> 00:33:22,920 OKAY? 693 00:33:22,960 --> 00:33:24,000 I DO A JOB, 694 00:33:24,040 --> 00:33:26,240 I GET PAID, I GO HOME. 695 00:33:26,280 --> 00:33:28,040 SUITCASES ARE PACKED. 696 00:33:28,080 --> 00:33:30,200 YOU GOING SOMEWHERE TONIGHT? 697 00:33:30,240 --> 00:33:31,120 [CHUCKLES] 698 00:33:31,160 --> 00:33:32,360 RIGHT NOW, 699 00:33:32,400 --> 00:33:33,400 YOU'D BETTER GET ME TO A HOSPITAL, 700 00:33:33,440 --> 00:33:34,840 BECAUSE IF I BLEED TO DEATH, 701 00:33:34,880 --> 00:33:36,240 YOU'RE GOING TO JAIL. 702 00:33:36,280 --> 00:33:38,320 IF YOU BLEED TO DEATH, YOU'RE GOING IN THE CANAL. 703 00:33:40,320 --> 00:33:41,680 WHAT KIND OF COPS ARE YOU? 704 00:33:41,720 --> 00:33:42,960 [SCOFFS] 705 00:33:43,000 --> 00:33:44,400 WHO SAYS WE'RE COPS? 706 00:33:44,440 --> 00:33:46,000 [TOMMY]: YOU'VE LESS THAN AN HOUR LEFT. 707 00:33:47,360 --> 00:33:50,400 [WINCING] 708 00:33:50,440 --> 00:33:54,560 DO I LOOK LIKE JAMES BOND? 709 00:33:54,600 --> 00:33:56,400 VIALS FULL OF POLONIUM... 710 00:33:56,440 --> 00:33:57,760 ARE YOU KIDDING ME? 711 00:33:57,800 --> 00:34:00,160 I'M AN ART FORGER. 712 00:34:00,200 --> 00:34:01,200 I'M A THIEF. 713 00:34:01,240 --> 00:34:02,840 A MURDERING THIEF. 714 00:34:02,880 --> 00:34:04,280 THERE'S NO BLOOD ON MY HANDS. 715 00:34:04,320 --> 00:34:07,080 IT'S THAT SICK LITTLE BITCH WHO'S OVERDOSING THOSE GUYS. 716 00:34:07,120 --> 00:34:08,680 THAT'S ON HER HEAD. 717 00:34:08,720 --> 00:34:09,680 HERS AND THE RUSSIAN'S. 718 00:34:09,720 --> 00:34:11,320 TELL ME ABOUT THE RUSSIAN. 719 00:34:11,360 --> 00:34:13,160 GIVE ME YOUR GUN. 720 00:34:13,200 --> 00:34:14,680 GO ON, GIVE ME YOUR GUN, 721 00:34:14,720 --> 00:34:16,280 I'LL BLOW MY BRAINS OUT RIGHT HERE. 722 00:34:16,320 --> 00:34:17,720 THAT'S THE RUSSIAN! 723 00:34:17,760 --> 00:34:18,800 YOU'RE SCARED OF HIM? 724 00:34:20,760 --> 00:34:22,880 YOU WANT TO KNOW WHAT THE RUSSIAN'S LIKE? 725 00:34:22,920 --> 00:34:24,200 HUH? 726 00:34:24,240 --> 00:34:25,920 THESE PEOPLE YOU SAY 727 00:34:25,960 --> 00:34:28,760 ARE BEING KILLED BY POLONIUM, 728 00:34:28,800 --> 00:34:31,400 WELL, HE'S ONLY HAVING HER DO IT 729 00:34:31,440 --> 00:34:33,800 TO SEE IF IT WORKS. 730 00:34:34,880 --> 00:34:36,280 IMAGINE THAT? 731 00:34:36,320 --> 00:34:40,360 HAVING PEOPLE KILLED 732 00:34:40,400 --> 00:34:42,760 TO SEE IF THE SHIT WORKS? 733 00:34:44,880 --> 00:34:46,840 [QUIETLY] YEAH. 734 00:34:46,880 --> 00:34:49,080 YOU'RE DAMN RIGHT I'M SCARED OF HIM. 735 00:34:52,440 --> 00:34:55,160 [CHUCKLING] 736 00:34:55,200 --> 00:34:56,880 IF YOU'RE NOT COPS, 737 00:34:56,920 --> 00:34:58,680 THEN WHO DO YOU WORK FOR? 738 00:34:58,720 --> 00:35:00,800 HUH? 739 00:35:01,880 --> 00:35:04,720 YOU KNOW WHO SENT US? 740 00:35:08,280 --> 00:35:09,120 THE RUSSIAN. 741 00:35:09,160 --> 00:35:10,880 [SCOFFING] 742 00:35:10,920 --> 00:35:13,040 [SLAPS HIM] YOU FIND THAT FUNNY? 743 00:35:13,080 --> 00:35:16,360 THE RUSSIAN? OKAY. 744 00:35:16,400 --> 00:35:18,080 HOW DO YOU THINK WE FOUND THIS PLACE, ASSHOLE? 745 00:35:19,280 --> 00:35:20,120 THE GIRL... 746 00:35:20,160 --> 00:35:22,240 WHO'S OVERDOSING THEM. 747 00:35:28,880 --> 00:35:30,680 [WHISPERING] HE WANTS HER STOPPED. 748 00:35:32,000 --> 00:35:34,280 OKAY. 749 00:35:34,320 --> 00:35:35,840 OKAY, ALL I KNOW IS 750 00:35:35,880 --> 00:35:37,960 THAT IT'S AN ART GALLERY IN PRAGUE TOMORROW NIGHT. 751 00:35:38,000 --> 00:35:39,480 THAT'S ALL I KNOW, I SWEAR! 752 00:35:40,880 --> 00:35:42,800 YOU'D BETTER NOT BE LYING. 753 00:35:55,200 --> 00:35:57,760 SHE'LL PROBABLY BE WEARING A DISGUISE AGAIN. 754 00:35:57,800 --> 00:36:00,320 THAT'S WHY YOU HAVE THAT ATTACHED TO YOUR EAR PIECE. 755 00:36:00,360 --> 00:36:01,600 IT'S A GEIGER COUNTER. 756 00:36:01,640 --> 00:36:03,640 SHE CARRIES POLONIUM, SHE'LL BE RADIOACTIVE. 757 00:36:03,680 --> 00:36:04,840 IF YOU GET CLOSE, 758 00:36:04,880 --> 00:36:05,880 YOU'LL HEAR A BEEPING IN YOUR EAR PIECE. 759 00:36:05,920 --> 00:36:07,920 HOW CLOSE? 760 00:36:07,960 --> 00:36:08,760 THERE'S GOING TO BE A LOT OF PEOPLE 761 00:36:08,800 --> 00:36:09,840 IN A NOT SO BIG SPACE. 762 00:36:09,880 --> 00:36:11,200 I HAVE THE SENSITIVITY TURNED DOWN. 763 00:36:11,240 --> 00:36:13,720 YOU NEED TO BE WITHIN A COUPLE OF FEET. 764 00:36:13,760 --> 00:36:16,240 IF I GET TOO CLOSE TO THAT WOMAN, 765 00:36:16,280 --> 00:36:17,920 THE HARDEST THING WILL BE NOT RIPPING HER HEAD OFF 766 00:36:17,960 --> 00:36:19,560 IMMEDIATELY. 767 00:36:19,600 --> 00:36:21,040 JUST REMEMBER WHAT SHE'S CARRYING, 768 00:36:21,080 --> 00:36:21,960 WHAT IT CAN DO TO SOMEONE. 769 00:36:22,000 --> 00:36:24,280 BELIEVE ME, I WON'T FORGET. 770 00:36:26,240 --> 00:36:27,280 READY. 771 00:36:27,320 --> 00:36:29,080 SHE'S SET. 772 00:36:29,120 --> 00:36:31,720 I'LL WATCH FROM THE ROOF ACROSS THE STREET. 773 00:36:34,480 --> 00:36:35,560 I'M IN. 774 00:36:35,600 --> 00:36:37,240 WANT TO STOP TALKING TO YOURSELF 775 00:36:37,280 --> 00:36:38,240 AND MOVE YOUR ASS, PRINCESS? 776 00:36:38,280 --> 00:36:39,360 SORRY, MADAM. 777 00:36:39,400 --> 00:36:42,200 IT'S GOING TO BE A VERY LONG, LONG NIGHT. 778 00:36:42,240 --> 00:36:45,240 [HUM OF BUSTLING CROWD] 779 00:36:50,800 --> 00:36:51,880 DO YOU WANT SOME? 780 00:36:57,480 --> 00:37:00,120 I'VE BEEN CLOSE TO EVERY PERSON IN THE ROOM. 781 00:37:00,160 --> 00:37:01,440 NONE OF THE GUESTS IS RADIOACTIVE. 782 00:37:01,480 --> 00:37:04,600 NOT EVEN A BIT OF A READING ON THE GEIGER. 783 00:37:04,640 --> 00:37:05,960 IF SHE'S HERE, 784 00:37:06,000 --> 00:37:06,920 SHE MUST BE CARRYING THE POLONIUM 785 00:37:06,960 --> 00:37:08,920 IN A LEAD CONTAINER. 786 00:37:08,960 --> 00:37:10,840 IF I WERE INSIDE, I COULD USE THE SCANGEN TO FIND IT. 787 00:37:10,880 --> 00:37:13,000 BUT YOU ARE NOT. 788 00:37:13,040 --> 00:37:14,840 EVA, DO ANY OF THE GUESTS 789 00:37:14,880 --> 00:37:16,880 SEEM LIKE THEY COULD BE CANDIDATES? 790 00:37:16,920 --> 00:37:19,840 BEAUTIFUL WOMEN WHO COULD BE NICOLE IN DISGUISE? 791 00:37:19,880 --> 00:37:22,240 ALL OF THEM. 792 00:37:22,280 --> 00:37:23,240 SHE'LL HAVE TO GET CLOSE TO THE OWNER 793 00:37:23,280 --> 00:37:24,240 BEFORE THE NIGHT IS OVER. 794 00:37:24,280 --> 00:37:25,520 STAY ON THE OWNER 795 00:37:25,560 --> 00:37:28,400 AND SEE WHO PAYS HER TOO MUCH ATTENTION. 796 00:37:28,440 --> 00:37:29,920 THERE'S A LONG LIST. 797 00:37:29,960 --> 00:37:33,680 [CARL]: YEAH, BUT ONLY ONE OF THEM WANTS TO KILL HER. 798 00:37:33,720 --> 00:37:36,280 [HUM OF CONVERSATION] 799 00:37:48,800 --> 00:37:50,920 MAYBE SHE WAS WARNED THAT WE KNEW. 800 00:37:50,960 --> 00:37:52,960 IF SHE WAS, WE MAY NEVER SEE HER AGAIN. 801 00:37:53,000 --> 00:37:54,200 I KNOW. 802 00:37:54,240 --> 00:37:56,760 EVA, GET READY TO SHUT IT DOWN. 803 00:37:56,800 --> 00:37:59,720 OKAY, MAJOR. 804 00:37:59,760 --> 00:38:02,480 SEBASTIAN, CAN YOU TURN OFF THE WIRE, PLEASE? 805 00:38:02,520 --> 00:38:03,640 I'M SORRY? 806 00:38:04,480 --> 00:38:06,720 I HAVE BUSINESS TO ATTEND TO. 807 00:38:06,760 --> 00:38:09,760 PERSONAL BUSINESS? 808 00:38:09,800 --> 00:38:10,880 WHAT DID SHE MEAN? 809 00:38:10,920 --> 00:38:13,800 I THINK SHE NEEDS TO VISIT THE LADIES'. 810 00:38:25,680 --> 00:38:26,480 [QUIETLY] HEY, GUYS? 811 00:38:36,440 --> 00:38:37,880 WE HAVE A SUSPECT. 812 00:38:44,160 --> 00:38:46,320 I'M FOLLOWING HER INTO THE LOO. 813 00:38:50,920 --> 00:38:53,880 PULL...YOURSELF... TOGETHER. 814 00:38:54,880 --> 00:38:55,920 ARE YOU OKAY, MISS? 815 00:38:57,400 --> 00:38:58,960 ARE YOU ALL RIGHT? 816 00:38:59,000 --> 00:39:00,560 YES. [SNIFFLING] 817 00:39:03,800 --> 00:39:06,400 [GEIGER COUNTER CLICKING RAPIDLY] 818 00:39:06,440 --> 00:39:07,400 WHAT'S THAT? 819 00:39:07,440 --> 00:39:09,000 THE GEIGER COUNTER! 820 00:39:09,040 --> 00:39:10,240 [ALERT BEEPING] 821 00:39:10,280 --> 00:39:11,880 [GEIGER COUNTER CLICKING] 822 00:39:14,000 --> 00:39:14,880 IT'S OVER, NICOLE. 823 00:39:16,600 --> 00:39:17,360 HOW DO YOU KNOW MY NAME? 824 00:39:17,400 --> 00:39:18,560 I'M A COP. 825 00:39:18,600 --> 00:39:21,120 FRANKIE AND MARCUS ARE ALREADY IN CUSTODY. 826 00:39:21,160 --> 00:39:22,200 I'M GONNA HAVE TO SAY 827 00:39:22,240 --> 00:39:23,560 I DON'T KNOW WHO YOU'RE TALKING ABOUT. 828 00:39:23,600 --> 00:39:24,680 I THINK YOU DO. 829 00:39:24,720 --> 00:39:26,720 DO YOU KNOW WHAT'S IN THIS GLASS? 830 00:39:26,760 --> 00:39:27,920 POLONIUM. 831 00:39:27,960 --> 00:39:29,760 AND NO ONE ELSE NEEDS TO DIE FROM IT. 832 00:39:29,800 --> 00:39:31,360 WELL, THEN, YOU'D BETTER STAY THE HELL BACK, 833 00:39:31,400 --> 00:39:33,720 OR WE'RE BOTH NOT GOING TO MAKE IT TO SUNDAY. 834 00:39:33,760 --> 00:39:35,840 PUT THIS GLASS DOWN. 835 00:39:35,880 --> 00:39:37,880 THERE'S A TEAM OF OFFICERS OUT THERE. 836 00:39:37,920 --> 00:39:39,040 NICE TRY. 837 00:39:39,080 --> 00:39:40,440 IT'S TRUE. 838 00:39:40,480 --> 00:39:41,920 A WHOLE TEAM, WITH GUNS. NOW, PUT THIS GLASS DOWN. 839 00:39:41,960 --> 00:39:44,600 I THINK I'LL TAKE MY CHANCES. 840 00:39:45,360 --> 00:39:46,200 THAT'S FAR ENOUGH, NICOLE! 841 00:39:46,240 --> 00:39:47,080 FAR ENOUGH. 842 00:39:47,120 --> 00:39:48,720 [SIGHS] 843 00:39:48,760 --> 00:39:49,880 I DON'T THINK SO. 844 00:39:49,920 --> 00:39:51,520 I DO. 845 00:39:53,040 --> 00:39:55,080 IT'S THEIR FAULT, YOU KNOW. 846 00:39:55,120 --> 00:39:56,480 EVERY ONE OF THEM WOULD BE ALIVE TODAY 847 00:39:56,520 --> 00:39:58,960 IF THEY HADN'T TRY TO GET A YOUNG GIRL INTO BED. 848 00:39:59,000 --> 00:40:00,200 NO, YOU PURSUED THEM. 849 00:40:00,240 --> 00:40:02,680 THEY COULD HAVE SAID NO. 850 00:40:03,800 --> 00:40:05,160 YOU'RE ALL THE SAME. 851 00:40:05,200 --> 00:40:06,440 MEN. 852 00:40:06,480 --> 00:40:09,040 YOU'RE ANIMALS. 853 00:40:09,080 --> 00:40:12,440 YOU... LIE, AND YOU... 854 00:40:12,480 --> 00:40:13,400 GRAB! 855 00:40:13,440 --> 00:40:15,600 AND YOU... 856 00:40:15,640 --> 00:40:16,680 YOU HURT. 857 00:40:19,040 --> 00:40:21,120 YOU'RE GOING TO BE OKAY, ALL RIGHT? 858 00:40:21,160 --> 00:40:23,440 [CRYING] NO. 859 00:40:25,920 --> 00:40:27,920 YOU KNOW, I USED TO BE BEAUTIFUL? 860 00:40:27,960 --> 00:40:30,600 JUST LIKE YOU. 861 00:40:31,960 --> 00:40:35,840 I WAS YOUNG AND INNOCENT. 862 00:40:35,880 --> 00:40:38,240 I HAD THE WHOLE WORLD, 863 00:40:38,280 --> 00:40:42,120 AND THEN THEY RUINED ME. 864 00:40:45,360 --> 00:40:47,120 NO ONE WILL HURT YOU HERE. 865 00:40:47,160 --> 00:40:49,080 I PROMISE. 866 00:40:49,120 --> 00:40:51,920 NO, YOU DON'T. 867 00:40:51,960 --> 00:40:53,160 YOU CAN'T. 868 00:40:53,200 --> 00:40:55,080 GIVE ME THE GLASS, NICOLE. 869 00:40:57,960 --> 00:40:59,680 IT'S THEIR FAULT. 870 00:40:59,720 --> 00:41:01,480 THEIR FAULT! 871 00:41:01,520 --> 00:41:02,520 OKAY, NOW, YOU GIVE HIM THE GLASS-- 872 00:41:02,560 --> 00:41:03,360 [LOUIS]: GIVE ME THE GLASS-- 873 00:41:03,400 --> 00:41:04,400 NO! 874 00:41:04,440 --> 00:41:05,760 GET BACK! 875 00:41:05,800 --> 00:41:07,680 ALL OF YOU! I'LL BREAK IT. 876 00:41:07,720 --> 00:41:09,040 I'LL KILL YOU ALL. 877 00:41:09,080 --> 00:41:10,520 YOU KNOW THE POLONIUM WON'T HURT ANYONE 878 00:41:10,560 --> 00:41:11,680 UNLESS IT'S INGESTED. 879 00:41:11,720 --> 00:41:13,120 GIVE IT TO ME. 880 00:41:13,160 --> 00:41:14,880 NO, HE'S RIGHT. HE'S RIGHT. 881 00:41:14,920 --> 00:41:18,360 IT HAS TO BE INGESTED. 882 00:41:18,400 --> 00:41:19,840 AND I NEVER WAS ONE FOR JAIL. 883 00:41:19,880 --> 00:41:20,720 DON'T! 884 00:41:25,280 --> 00:41:27,000 HELP ME. 885 00:41:27,040 --> 00:41:29,600 [NICOLE SOBS] 886 00:41:40,400 --> 00:41:43,040 SOME NIGHT, HUH? 887 00:41:44,080 --> 00:41:45,960 SO THIS RUSSIAN-- 888 00:41:46,000 --> 00:41:48,280 THOSE GUYS ARE PRETTY DAMN SCARED OF HIM. 889 00:41:48,320 --> 00:41:52,120 THERE'S A LOT OF SCARY BAD GUYS IN THE E.U. 890 00:41:52,160 --> 00:41:53,400 THAT'S WHY WE NEED SPECIAL COPS 891 00:41:53,440 --> 00:41:56,040 TO GO AFTER THEM. 892 00:42:01,080 --> 00:42:03,000 I'LL SEE YOU IN THE MORNING. 893 00:42:32,400 --> 00:42:36,840 I'D ASK IF YOU'RE ALL RIGHT, BUT... 894 00:42:36,880 --> 00:42:38,400 WE'RE NOT GOING TO BE 895 00:42:38,440 --> 00:42:42,400 THOSE KIND OF PEOPLE, RIGHT? 896 00:42:45,120 --> 00:42:49,440 I NEVER HELD SOMEONE'S HANDS WHILE THEY... 897 00:42:51,080 --> 00:42:52,520 NO FAMILY? 898 00:42:56,880 --> 00:43:00,880 MY PARENTS ARE BOTH GONE, 899 00:43:00,920 --> 00:43:06,000 BUT I DIDN'T GET THE CHANCE TO SAY GOODBYE. 900 00:43:13,440 --> 00:43:17,040 I SAW IT ON HER CHART. 901 00:43:17,080 --> 00:43:21,400 HER NAME WAS SHIRLEY. 902 00:43:21,440 --> 00:43:24,680 SHIRLEY DORIS POTEMPA. 903 00:43:29,680 --> 00:43:31,640 CHEERS, SHIRLEY. 904 00:43:41,320 --> 00:43:43,040 I CAN'T BELIEVE YOU CREEPS 905 00:43:43,080 --> 00:43:44,280 TRIED TO LISTEN TO ME 906 00:43:44,320 --> 00:43:45,200 WHEN I WENT TO THE BATHROOM. 907 00:43:45,240 --> 00:43:46,040 WHAT? 908 00:43:46,080 --> 00:43:47,120 YUP. 909 00:43:47,160 --> 00:43:49,240 WELL, HOW DID YOU KNOW I WAS WITH HER? 910 00:43:49,280 --> 00:43:51,600 I ASKED SEBASTIAN TO TURN OFF MY WIRE. 911 00:43:51,640 --> 00:43:53,160 I THINK IT WAS THE GEIGER COUNTER. 912 00:43:53,200 --> 00:43:54,440 THE GEIGER COUNTER? 913 00:43:54,480 --> 00:43:55,600 [LAUGHS] 914 00:43:55,640 --> 00:43:59,040 SHIRLEY WAS RIGHT, YOU'RE A TERRIBLE LIAR. 915 00:43:59,080 --> 00:43:59,920 I'M NOT LYING. 916 00:43:59,960 --> 00:44:01,080 YOU ARE... 917 00:44:14,640 --> 00:44:16,440 CIAO. 918 00:44:16,480 --> 00:44:17,600 GOOD NIGHT. 919 00:44:28,920 --> 00:44:30,520 [DOOR OPENS] 920 00:45:13,040 --> 00:45:15,040 [SNIFFLES] 921 00:45:16,160 --> 00:45:19,080 [WEEPS] 922 00:45:40,640 --> 00:45:44,920 [♪♪♪]